Sayre Gomez: Déjà Vu

Sayre Gomez: Déjà Vu


Published in conjunction with the exhibition
Sayre Gomez, Déjà Vu
Ghebaly Gallery, Los Angeles

72 pages
7x9 inches

Printed in U.S.A.
First Edition: 2018
750 copies
Signed copies available. Please inquire here.

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Sayre Gomez works across mediums, namely painting, sculpture and video, to address themes of perception and representation in the face of patriarchal political systems. Recurring metaphors such as windows are often used as a structuralist approach to investigating the role of context in the distribution and legibility of images in the 21st century. His work references the history of appropriation in tandem with a realist approach to rendering as a way of situating his practice with in traditions of conceptual art as well as pop art and the Pictures Generation. He holds a BFA from the School of the Art Institute of Chicago and an MFA from California Institute of the Arts. Recent solo exhibitions include Ghebaly Gallery, Los Angeles, California, USA; Galerie Rodolphe Janssen, Brussels, Belgium; Michael Jon and Alan, Miami, USA; Galerie Nagel Draxler, Cologne, Germany; and Galerie Parisa Kind, Frankfurt, Germany. He has recently exhibited at Shane Campbell Gallery, Chicago, Illinois, USA; Soccer Club Club, Chicago, USA; Marlborough, Madrid, Spain; IBID, London, UK; and C L E A R I N G, New York, USA. His work is included in the permanent collections of the Los Angeles County Museum of Art, The Marciano Art Foundation, and the Rubell Family Collection.

Texts by Catherine Taft and Olivian Cha
Interview by Martine Syms
Design by Maria V. Troconis, Grafikisto
Edited by Gan Uyeda

ISBN-13: 978-1-7320439-0-9